Not knowing if that what’s next from Sony, or if there will be at least a good sized step in that direction just keeps me waiting for the upgrade… Which frankly, is just not the way I like to live my life!eval(ez_write_tag([[336,280],'35mmc_com-box-4','ezslot_10',182,'0','0'])); The issue is – whether I like it or not – having sold my Nikon’s and committed to the Sony system I’m not about to take a step backwards. What’s meant by this is that to all intents and purposes they can be shot at a broad range of ISOs with little impact on the results. I don’t take video on my phone, lot alone using a DSLR, but I’m entering Dad Cam territory on my Nikon. If what you see is not what you want, more importantly, you’re able to quickly act on the information before you press the button. It’s also fair to say I have little knowledge of what all those features are down in the menu’s. People go on about the dreadful A7 menu but the reality is, 90% of the functions are no interest to me and I ignore them. For me, the amateur, if I’ve decided to invest in the effort of going out to spend the day shooting with a professional camera, I’m invested. That camera wasn’t that clever. She went to a real arts school and takes this stuff seriously, but I have a crazy good photo of a big horn sheep or something I got in Glacier from the passengers seat of the car with the 70-2002.8 and a teleconveter with a rented 5Diii which is better than anything she’s ever taken. For starters, the hot shoe now has a fault where it automatically changes the apertaure and quite often the camera decides to reset/turn itself off and on again-usually when a client is peering over shoulder lol. Das Spritzwasser-geschützte Magnesium-Gehäuse hat spürbar an Gewicht zugelegt: Mit 638 Gramm bringt die Sony Alpha 7R II etwa 170 Gramm mehr auf die Waage. As such, it was a professional camera for professional photographers and nothing more. More creative potential than any view camera or any other camera I ever shot with. Verbessert hat sich auch der Verschluss: Das Auslösegeräusch wurde nicht nur deutlich leiser. It will help loads of photographers out there who can’t afford to upgrade to the new A7RIII. Hence why music buying had greatly evolved into people just buying the tracks they actually want. But I’m able to use same lenses as on my film body and they are not in crop mode and without speedboosters that bring complications. Am Gehäuse selbst befinden sich nebst PSAM-Programm-Rad inklusive zwei Rändelräder für Blende und Verschlusszeit außerdem eine Belichtungskorrektur um plus-minus drei Blenden, vier frei belegbare Funktionstasten sowie Direktasten für viele wichtige Einstellungen wie ISO und Aufnahmemodus. Beautifully tongue-in-cheek. This is all further aided by the fact that it has an extremely good digital viewfinder. At this thickness, the UT outperforms the V2, and performs compatibly to the Leica M9 in terms of corner sharpness. Or is it for people who are too lazy to switch between the two modes? I feel I make the great picture on the Canon. With the world’s first back-illuminated 35 mm full-frame CMOS image sensor with 42.4 megapixels, the Sony α7R II takes image resolution, sensitivity (up to ISO 102,400) and speedy response to new heights. And combined with 5 Axis Image Stabilization and mirrorless mounting it gives me a wide span of image capabilities. , Ironically, as I say in the post, the Sony way out performs my needs. I’m not a professional photographer just a hobbyist, so I’m out taking pictures to try and I guess create something personal and artistic which ultimately will be shared online via flickr or whatever, IF I really like the image I might even put it on my wall at home but they are few and far between! These were dedicated function buttons, with useful features that came easily to hand. Not perfect but what is. My one other request os a smaller RAW option. Kaum. Get the most out of your new Sony A7r III with this complete step-by-step walkthrough of the camera’s features. In reality it’s probably been about 4-5 years since the original A7 hit the market. Some things pointed out by my testing. The issue is, when I shoot with the Sony A7rii I just don’t feel like I’m doing my job properly. Now there is such a thing, I find myself enjoying he old cameras the lenses belong to more. But then, I think that’s a wish shared by many, and a problem yet to be solved by anyone… Proper professional cameras don’t need learning curves, not by professionals at least. To me that camera is the Sony R1, silent, without motors and so few controls that I was able to use it just by touch in darkness. Take for example the silent shooting mode or the mode that switches the viewfinder between showing the effect of the camera’s settings and just showing a bright picture, or the mode that stops the viewfinder switching to eye-level from the screen.”. If there is one thing those sonys do very well is take photographers back to film cameras. There’s a tendency among certain photographers to view shooting in manual as a mark of competence, but really I think the skill is in knowing when you can trust the camera and when you need to step in. Of course this is just from subjective viewing of test shots but to me, discounting noise, If I see all of the lowlight detail without clipping, then to me it has resolved at that exposure. This is especially significant to me as a professional photographer as it means that really any impact to the files is only evident to me in my post process. I’m not talking about the lens searching, unable to find focus (although it does that too), I mean it doesn’t even focus. There is a display on my A7 where you can specify the back screen to have parameters on, this is woefully complex, the only things I’m looking at on it are shutter speed, aperture and ISO, but it gives me zillion other things which I don’t need to know at that point, I’ve already set the camera to RAW in the menu, why do I need to be told constantly I’m shooting in RAW? Good luck with the sale! I think it’s a curse these advances in processing that makes cameras far more complicated than needed and lenses relying in digital corrections than in true optics properties. One of the worst reviews of any camera I’ve ever read. So I ended purchasing a simpler Sigma DP2 (the original one of 4 mega pixels) this because it’s complicated to buy batteries to the R1, and it was a bit big and problematic to run software able to open the raw files. The art stuff that I shoot now with it is just incredible. If you don’t know what much of these numbers and phrases means, it doesn’t matter. Cheers Andy… yeah, I do waffle on a bit, I’m the first to admit it. As a pro I’m hardly ever (read never) shooting for massive end physical image size, and even if I was it would be very rare that I couldn’t get away with delivering a 2000 x 3000px image. I can’t wait. I’ve realised I don’t own a single native, auto focus lens and use it only with manual focus M mounts such as the ZM Sonnar 50 (what a lovely lens!) The 17mm TSE talks well to it, as does the 70-200. If I had the money I’d get an M-D and probably a 50mm ZM planar and that would be all I’d need, I know that deep inside. The cornerstone technical feature in the lazy approach that the Sony A7Rii’s instils in me is the aforementioned high ISO/low light capabilities. 42mp is such high out-of-camera resolution that it sometimes feels like it’s nudging me to not really work all that hard even when it comes to framing. Unfortunately, it doesn’t matter how I use it, this camera just doesn’t feel to me like it’s designed to be used as professional camera. This thing does almost the opposite – and this is simply because it’s not possible for a gadget this small to provide all of this function properly. 35mmc is a blog authored, edited and published by Hamish Gill featuring daily articles submitted by readers. So thanks Hamish. Even I call in less inspirational than my film cameras, more complicated, but still – its one of the best from brave new digital world. In fact, since the viewfinder is such high quality, and yet is still digital, it brings about with it the distinct advantage of you being able to accurately see the exposure you’re about to take. The A7RII is a somewhat ISO Variant camera. In car terms it’s a Subaru Outback, it does everything you can possibly need in a car, and more, but when you see a twisty bit or road…it’s not the car you want. This camera doesn’t do that for me, and so I guess what I’m saying is that it both blocks my inspiration, and doesn’t appeal or inspire me as a price of Industrial design. There is apparently no cross-fertilisation of ideas between the two design teams. What possible use is this? there is an option to set “shot preview” to one of the custom buttons if you prefer to have shot result turned off. Even the few-year-old Nikon D3 that I praised by comparison earlier in the post is vastly over featured when compared to even the most complex of film cameras. Weather sealed. EV just stays at 0. Scale that technology up – as has been in the A7rii – and you find yourself with a large sensor, a very large pixel count and – thanks to the backside illumination – very low noise even at fairly substantial ISOs.eval(ez_write_tag([[300,250],'35mmc_com-banner-1','ezslot_13',185,'0','0'])); Additionally to this, there’s also very good phase detection AF (the lack of which made its predecessor slow), 5 axis image stabilisation, 14bit raw processing and it does in camera 4K video to boot. I generally use it is aperture priority and auto ISO up to 25,000 but at that level the image quality really starts to suffer. There’s lots to love about the new Sony a7RII including upgrades to the original a7R of 5-Axis image stabilization found on a7II, Silent Shooting mode found on a7S and Electronic Front Curtain Shutter (EFS) found on every a7-series camera – except the original Sony a7R. The thoughts on latitude/bsi/gamut/blacks all very interesting reading!! If I was going to rationalize buying the a7Rii when I already have the full-frame 5D iii it was going to have be because the Sony is just that much better. Einziger Nachteil beim Filmen: Die 4K-Bewegtbilder ziehen die Akkulaufzeit deutlich in den Keller. I bought the A7RII to be this chunk that holds a state of the art high end sensor; and for being mirrorless so I can mount almost any lens ever made onto it and thus have a marvelous time exploring all of those lens capabilities. But there’s also bunch of new setting you won’t find on any previous Sony a7-series cameras. One Caveat, this is not–by any stretch of the imagination–a lazy mans camera but to suggest that it is ridiculous is a bit much. Which despite my distaste, is still pretty balanced for those who do take the time to read it. And when I do want the feel of a craft camera, I’ll shoot with one of my Leica’s, Zeiss, Voigtländer, Nikon or Contax. But I absolutely love what this thing does in low light at close range on both the “illustration” and the “watercolor” settings. As a generalist, I produce product shots, photos of building and vehicles, LinkedIn profile head shots, PR and press photography, photos of events etc (you can see all the stuff me and my team shoot here) all to a technical standard that is higher than the expectations of the client. eval(ez_write_tag([[250,250],'35mmc_com-leader-3','ezslot_21',191,'0','0']));What’s really mind boggling is that once you’ve grasped this over complication in terms of its attractiveness to the lowest common denominator, it’s also designed to be attractive to the video professional. More than anything, I feel motivated to give you some links to read more thoughts I have shared. The 25 is SO sharp. I agree with Mikey, here. It still shoots so damn well. Doch kommt die Sony Alpha 7R II diesem Hype auch noch nach unserem Labortest gerecht? Maybe that would be the camera for you… it’s quite a bit more expensive too! Find out how here. Occasionally, I will pick it up and shoot some frames with it. I have an A7s with a Nikkor Micro 105mm lens connected via a novoflex adapter, and then a metabones adapter (nikon to M and then M to E…or maybe it’s the other way round). Sony a7II vs Sony a7RII Bonjour, Je souhaite + ou - prochainement acquérir un plein format de chez Sony mais j'hésite (pas tout à fait en fait) entre l'a7II et l'a7RII. Well they use the term ‘performs compatibly’. I used to be a Nex owner and whilst it took some great photos i too was stuck in auto everything. . As a first generation product the A7R had some significant limitations. He loved the images from the Fuji…until the sun went down. I have no problem with the number of buttons and what they do … but again … once you put that many on a small body things start to feel crowded and confusing. With my Nikon d800 and 50mm f/1.4 afs – a relatively new lens – I had issues. As a professional with clients to satisfy, I won’t deny that this does bring some significant advantage. But, many of them also seem to be people who only shoot in a certain way, of certain things. Im Juli 2019 erschien … Per the above, I have no connection with Kolari Vision. That and the fact you can mount practically any lens on it with an adapter and it works great. Die Sony Alpha 7R II serviert zwar Bildqualität und Ausstattung satt, kosten aber entsprechend viel. Even the 24-70 seems to be fine.. (All via the Sigma adaptor). I shot another dance competition this past weekend and have discovered what triggers (pun intended) the Pocket Wizard issue. Now, since camera design is happy at being foolish, Leica thrives. First, a specific response to a specific comment … and then a broader response to the entire review: So far I’ve found the auto-focus performance of my Canon 24-70mm with the Metabones adapter on the a7Rii to be more than adequate. Dude, your “dad camera” sectiondescribes the exact reason I’m not getting an a7rii, now that rumors of an a7iii are becoming more solid. I would never buy digital FF DSLR’s these days. Broadly speaking, clients don’t zoom in on images, and even if they do, a lot of the time the images they receive are downscaled meaning that they can’t zoom in so much as to be able to see it anyway. Hey great example of a whiny article with a clickbait title. 2 Sony, BIONZ X, Exmor, InfoLITHIUM, Memory Stick, Memory Stick Duo, Memory Stick PRO Duo, Memory Stick PRO-HG Duo, the Memory Stick logo, PlayMemories Home, PlayMemories Mobile, PlayMemories Camera Apps, PlayMemories Online, Remote Commander, … Wir testen fair und unabhängig. The former was similar to the Fujifilm X-e1 with a fujinon 35mm f1.4 I had a time, although it resembles a film camera it was by far the most digital (in a bad way) I’ve ever used, I needed always to go to menus (sometimes seemed I needed more clickes than with the Samsung ECX-1) never letting me forget I am using a camera instead of justing grabbing what I was seeing, something that never happened with the Sony R1; and the Sony RX100, well, it was similar to the Sony a5000 I had also a time, a camera that I could never feel like a camera, more like a kind of cell phone with bloatware and yet I think they had the defect of my Sony R1, the colors need work. I can’t justify that level of investment right now. La stabilisation est elle bonne ? Zur Motivgestaltung dient dabei maßgeblich der elektronische Sucher, mit dem die Arbeit herrlich viel Spaß macht. So in a roundabout way, through Sony providing a shitty user experience you ended up as a reader of my site. I’m currently using an a6000 and I highly enjoy it. Don’t use any of that stuff. Conceptually, I explained what I think a Dad cam is in this post about a 90’s Samsung, but in brief, it’s a camera designed to appeal to the “Dad”. I know a few videographers and the hobbyists shoot with Canons or Nikons, but all the pros use Sony.
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